Each season, the National Symphony Orchestra presents a series of Young People's Concerts for school children grades 3 through 6 throughout the Washington, DC area. Hundreds of school buses carry thousands of children to the Kennedy Center Concert Hall to learn about classical music in fun and engaging ways. Over the past several years, the NSO's Young People's Concerts (or YPCs, for short!) have explored themes such as heroism in music ("Summon the Heroes!), music as a language ("Listen Up!"), and extremes in music ("Exploring Extremes: Music to the Max!"). For the second year in a row, NSO Principal Second Violinist, Marissa Regni, will be hosting the Young People's Concerts, alongside guest conductor Michael Butterman. This year's theme: Inspiration! These concerts will explore the ideas that help shape composers' creativity, such as literature, poetry, travel, nature and more. Here's what Marissa had to say about her experience with the YPCs…
Michael Butterman and Marissa Regni rehearsing for the YPCs.
"I'm really excited about hosting the Young People's Concerts this season. I had such a good time last year, and my NSO colleagues were so supportive.
Of all the extra musical projects I do, the educational concerts are my absolute favorite. I think they are so important because we are building (I hope!) our future audiences. Each concert I develop is a huge undertaking, but it is so worth it because the kids are so energizing. My goal always is to teach something valuable, while still making it fun and entertaining. I don't ever want to be stiff or stuffy. And so, as my colleagues will attest, I let my crazy personality shine through. If people of any age walk away learning something AND having fun--well, then I've done my job. I try to make my shows interesting for my colleagues, as well. I want the audience to see the musicians smiling and enjoying themselves.
Last season, a couple of months after I hosted the Young People's Concerts, I played a concerto with the NSO on an all-Bach subscription concert. I found out that a young girl in the audience came to that concert (with her family) because she had been to the YPCs with her school and wanted to see me again. I got a 10 year old to ask her parents for symphony tickets! That was the highlight of my week! Throughout the year, I would be approached by kids who enthusiastically said they were at the YPCs and how much they loved it. We are getting students excited about the magic of symphonic music!
I think we are teaching some excellent ideas in this year's concerts: what inspires composers as they write music. There are wonderful musical examples and concepts that I hope will really get students talking and brainstorming long after they leave the Concert Hall."
Have you ever sat in the back of the Concert Hall and squinted trying to see all the talented musicians onstage? Now you can take a closer look! Photographer Scott Suchman photographed all of our musicians and the photos are newly framed and hung in the Concert Hall lobby. The work to complete this project began over a year ago when the new photos were taken and updated on our Meet the Musicians page. Each musician selected their favorite shot to be framed and, with the help of NSO bassoonist Steven Wilson, the photos were made ready for display!
Once we received our framed photos, we were ready to get to work! With so many musicians in the orchestra, we made a map for stage crew member Dave Langrell so he would know where to hang each photo.
Map to show the location of each photo.
From there, the photos were ready to be hung and work began!
A view of the partially completed project.
Dave worked diligently and after several days the frames were all in place.
The completed project is ready for the new season!
The photos can be found on the left side of the Orchestra level as you enter the Concert Hall lobby. We hope you'll stop by and take a look this season!
Before the first subscription concerts of the season, the National Symphony Orchestra has a fabulous concert each year that is more than just a concert – it's an occasion. It's the Season Opening Ball Concert, where guests enjoy a performance followed by an elegant dinner and dancing in a special setting on the North Terrace of the Kennedy Center.
it's not only the exciting program conducted Christoph Eschenbach and Steven Reineke, or the world-class performances of Martin Grubinger and Sutton Foster that make this concert special.
What also makes this concert unique is that the women of the orchestra get to branch out from their usual formal black attire. It's a rare occasion to see a musician in something other than black or white on the stage, so we thought we'd share some behind-the-scenes photos for you of the colorful fashion of the National Symphony Orchestra musicians.
Violists Mahoko Eguchi and Jennifer Mondie
Principal Second Violin Marissa Regni and Assistant Personnel Manager Laura Hearn
Some of the ladies of the orchestra get very excited about this event and rent designer gowns from shops like Rent the Runway.
Interim Associate Librarian Danielle Wilt in her yellow rental gown poses with Principal Librarian Elizabeth Schnobrick.
Hornist Joy Branagan in a rental black and white number.
Even the staff dressses up for the event!
Assistant manager of Production and Operations Krysta Cihi, Administrative Assistant Amy Drew, Artistic Coordinator Clara Wallace, and Interim Associate Librarian Danielle Wilt pose with Stage Manager Don Tillett.
Post concert, musicians joined the Ball guests on the North Terrace for a three-course dinner and dancing. What a beautiful way to start the season!
Holly Hamilton is a first violinist with the National Symphony Orchestra.
Photo by Scott Suchman
Summer is here, and the NSO season is winding down. Our musicians head to Wolf Trap and perform on the West Lawn of the U.S. Capitol at the Memorial Day, July 4, and Labor Day concerts. Even with all these exciting performances, many of our musicians find a way to sharpen their musical skills by performing with other ensembles, and some even find time to relax and take a vacation. Here's what Holly Hamilton had to say about her summer outside of life at the NSO.
My bicycle adventure, which included my husband Lynn and my sister Faith, began in Montargis, 70 miles south of Paris. There, we boarded our boat, The Fleur, a 10-cabin barge that would be our home for the next 9 days. Each morning we woke up to an amazing breakfast. Then we were off for a day a bicycling through the French countryside.
Holly, Faith, and Lynn ready to get started!
We pedaled through meadows, farm fields, forests, and small villages which were centuries old. We visited bee keepers, abbeys, the Barbizon School, picnicked at private homes, toured the Château Fontainebleau, toured the ancient streets of Melun, enjoyed a private guided tour of the medieval Château Landon, the Bourdelle sculpture garden…you get the idea. Each afternoon, we returned to our floating home, in its new location, as it travelled towards Paris, for a gourmet French dinner banquet each evening.
Getting on bikes!
We biked an average of almost 30 miles each day, burning uncounted calories. If not for all the professionally prepared meals we devoured every day, we would have lost a lot of weight.
After eight days of biking, we enjoyed two days in the Opéra district of Paris. We toured the Opéra House, where I had played with the NSO on tour, visited the Tuileries, the Eiffel, Musée d'Orsay, Cathédrale Notre-Dame, Charles de Gaulle – Étoile, many other destinations including more wonderful French meals.
Holly at the Musee and in front of the Eiffel Tower.
We returned home a little sore, but with rock-hard legs and wonderful memories!
Lisa Emenheiser is a regularly engaged musician with the National Symphony Orchestra.
Summer is here, and the NSO season is winding down. Our musicians head to Wolf Trap and perform on the West Lawn of the U.S. Capitol at the Memorial Day, July 4, and Labor Day concerts. Even with all these exciting performances, many of our musicians find a way to sharpen their musical skills by performing with other ensembles, and some even find time to relax and take a vacation. Here's what Lisa Emenheiser had to say about her summer outside of life at the NSO.
This summer my husband and I are excited to take a vacation to Iceland and Scotland. I have wanted to visit Iceland for many years, ever since my son did a project on this beautiful country when he was in fifth grade. He is now 30 years old! When I was a student at Juilliard I was friends with Icelandic violinist Kolbrun Hjaltadottir. We lived in the same townhouse and she was also a student at Juilliard. We had lost touch over the years, but I was hopeful I could locate her. Social media was tremendous with helping me find my old friend, Kolla. Although Kolla doesn't live in Iceland anymore, she and her family will be in Reykavik while we are there, and we can't wait! We expect to start out our first day at the "Blue Lagoon"!
We will spend only a few days in Iceland, and then continue on to Glasgow, taking a train up to Inverness, renting a car, and staying at Bed and Breakfasts on our way to the Isle of Orkney. We will spend a total of nine days in the Northern Highlands. We are ready for beautiful scenery, hikes, and delicious seafood. This will be our third trip to Scotland. Here are a few photos from our trip in 2010. Here is a photo of our visit to Staffa, the home of Fingal's Cave. This was the inspiration for Mendelssohn's incredible Hebrides Overture.
Lisa on the Isle of Staffa in 2010.
Here is another photo of me and my husband after hiking through the heather on the Isle of Skye. The double rainbow came out to say hello after a burst of rain. We love this country and its friendly, kind people. We hope to take in some Celtic Highland music and explore some of our Scottish heritage. We are ready for rain, but will gratefully accept sunshine!
Lisa and her husband enjoying the rainbows on the Isle of Skye.
David Murray is Second Trombone for the National Symphony Orchestra.
Photo by Scott Suchman.
Things are still in full swing for the NSO over the summer. Between the concert schedule for NSO at Wolf Trap, 'A Capitol Fourth' from the Capitol Lawn, teaching and coaching for the NSO Summer Music Institute, and individual preparation for upcoming performances, the music plays on in D.C. Luckily we still have some time here and there to get out and enjoy the warm weather!
The low brass section for this year's 'A Capitol Fourth' concert during a rehearsal.
On the off hours, this summer's unplanned theme has been about exploring the beautiful Virginia countryside. It started in raucous fashion by taking a ride out of Manassas behind a beautifully restored steam locomotive owned by Norfolk Southern Railroad. As a railfan it was a thrill to see a stunning machine back in excursion service, and to see so many people come out to witness it back on home rails.
David took time for a selfie with the steam locomotive!
Not limited to just rail travel in the region, I recently purchased a BMW convertible… well-timed to put the top down and experience the rolling terrain, fresh air, and historic architecture in the central part of the Commonwealth. From Harpers Ferry to Charlottesville, this little Bavarian Beauty loves the winding roads, leaving a smile on my face the whole way through. Luckily there's still room in the trunk for my trombone, so no excuses not to stay in shape after a day of driving!
Enjoying the Blue Ridge Mountains (left) and taking in the sights in Waterford, VA (right)
On the music front for August, I will tuck the BMW away and fly to Santa Cruz, CA to participate in the Cabrillo Festival Orchestra. Under the direction of conductor Marin Alsop, the two week festival celebrates new orchestral music from both preeminent and emerging composers. It fulfills an important mission for today's musicians, that we celebrate new music and give it a deserving forum for performance. Among the many featured artists this year is Mason Bates, Composer-in-Residence for the Kennedy Center!
Heather LeDoux Green is a First Violinist with the National Symphony Orchestra.
Photo by Scott Suchman
Summer is here, and the NSO season is winding down. Our musicians head to Wolf Trap and perform on the West Lawn of the U.S. Capitol at the Memorial Day, July 4, and Labor Day concerts. Even with all these exciting performances, many of our musicians find a way to sharpen their musical skills by performing with other ensembles, and some even find time to relax and take a vacation. Here's what Heather LeDoux Green had to say about her summer outside of life at the NSO.
For the last four summers, my family has taken a vacation with two other NSO families: the Mulcahys (Craig Mulcahy is the NSO's principal trombone) and the Wilsons (Steven Wilson is a bassoonist and Kathryn Meany Wilson plays English horn with the NSO). Our children are the same ages and have fun together. This summer we'll go to Williamsburg. I've included photos of last year's trip to the Chesapeake Bay. (One serious, one less so)
The Greens, the Mulcahys, and the Wilsons (from left to right) at the Chesapeake Bay during summer 2014.
Joy Branagan has a temporary position with the National Symphony Orchestra.
Summer is here, and the NSO season is winding down. Our musicians head to Wolf Trap and perform on the West Lawn of the U.S. Capitol at the Memorial Day, July 4, and Labor Day concerts. Even with all these exciting performances, many of our musicians find a way to sharpen their musical skills by performing with other ensembles, and some even find time to relax and take a vacation. Here's what Joy Branagan had to say about her summer outside of life at the NSO.
My cousin lives and works in Geneva, Switzerland, so NSO English horn player, Kathryn Meany Wilson, and I decided to take a trip to visit her and explore the area around Geneva. We visited Yvoire, Lyon, and Annecy, France, and Montreux and Mürren, Switzerland.
France gave me a chance to practice speaking the language, and we enjoyed a gorgeous bike ride, great meals, and, of course, some good shopping.
Joy and Kathryn in Lyon, France.
Enjoying biking at Lac d'Annecy.
We spent two days in Mürren (in the Jungfrau region), hiking, going to the top of the famous Schilthorn, and playing alphorn!
Kathryn and Joy at the top of the Schilthorn.
A friend of mine met up with us and brought his carbon-fiber collapsible alphorns. We hiked a little bit, and then we played the alphorn in the Alps!
The beautiful view while hiking.
Joy playing the alphorn, and a view of the alphorn's bell overlooking the village below.
I have been playing horn for 30 years now, and this was one of the best moments of my life. To play an instrument that is an ancestor of my horn, in the most beautiful place I've ever seen, was truly an honor and an inspiration.
Carrie Graham is the NSO Operations Intern.
Before I began my summer internship with the National Symphony Orchestra, most of my exposure to orchestra had come from the perspective of an audience member or from listening to recordings. I could not possibly have imagined the inner workings of the administrative departments that work behind the scenes to produce a concert. Through this internship, I have had the invaluable opportunity to learn about the different areas of the NSO, such as operations, artistic, development, education, and personnel.
The Personnel Department interested me the most because of the way they serve as a liaison between the musicians and the other departments of the administrative office. I recently had the chance to sit down with Jim Hewitt, Personnel Manager, and Laura Hearn, Assistant Personnel Manager of the NSO, to learn more about their roles within the orchestra.
Welcome to the Personnel Department!
One Personnel Manager is always present at each orchestra rehearsal and concert. Jim describes Laura and himself as "the first line of communication between music and management": they are there to answer any questions and provide help for musicians if needed. At rehearsals, you can hear the Personnel team making important announcements to the orchestra, so that everyone is on the same page about schedules, rehearsal orders, and any other logistical matters.
Laura Hearn, Assistant Personnel Manager and Jim Hewitt, Personnel Manager for the NSO.
In order to be best informed on the many facets of the NSO and how they will affect the musicians, Jim and Laura regularly attend meetings with the Artistic Department, the Operations Department, the Orchestra Committee, and the Music Library. Through these meetings, they learn about rehearsal plans from the conductor, which musicians are needed for the repertoire being performed, and more.
Jim calling the orchestra onstage for a rehearsal.
Both of our Personnel Managers have musical backgrounds. Laura studied violin performance in college, and Jim played the trumpet. Each expressed that early on in their careers, they knew they had an interest in working closely with an orchestra.
Without the behind the scenes work of our wonderful Personnel Managers and the other administrative departments of the NSO, rehearsals and concerts would not run as smoothly as they do. I've had an invaluable experience working with the NSO and learning firsthand about the diverse array of work and collaboration that goes into producing a concert!
The National Symphony Orchestra Summer Music Institute (SMI) may be over for the summer, but SMI violinist Naomi D'Amato had a lot to share about her time at the Kennedy Center. SMI concluded on Sunday, July 26th, with a final performance on the evening of the 25th of Wagner's Overture to Die Meistersinger and Mahler's Symphony No. 1 in the Kennedy Center Concert Hall.
Naomi is currently studying Accounting and Political Science at the University of Texas as Dallas. Here's what she shared with us:
The NSO's Summer Music Institute is both a celebration of achievement and a learning environment full of new challenges. As a returning SMI participant, I was able to build on the training I received last summer and work towards the next level of growth.
Arriving at the Kennedy Center!
I am a rising junior at the University of Texas at Dallas and am thankful for the opportunity to be a violin fellow at SMI while living in D.C. Studying at the Kennedy Center for the past month has better equipped me to make important education and career decisions. The variety of exposure provided through SMI has given me new ideas and insights into how I can use music to communicate and better serve others.
I am thankful to have experienced growth through orchestral training, chamber music coaching, and private violin lessons. Ms. Schulze, our conductor, takes genuine interest in each student which creates a rehearsal environment that is both informative and inspiring. It is so valuable to learn major orchestral repertoire that included Strauss's Don Juan, Sibelius' Symphony No. 2, and Mahler's Symphony No. 1. Our performances were live-streamed and recorded which allow us to share our music with an even wider audience. Side-by-side rehearsals with the NSO are such a valuable aspect of our orchestral preparation and being part of the SMI orchestra has both sharpened my technical skills and enhanced my musical awareness.
Naomi onstage with David Brubaker, who has a one-year violin position with the NSO, during an NSO side-by-side.
Preparing movements of the Schubert Octet was a highlight of my SMI experience. Our group was coached by Mr. Truman Harris, NSO Assistant Principal Bassoon, and well as Carole Tafoya Evans, NSO second violinist. Our group performed on the Millennium Stage and was also selected for a radio recording/interview on Sirius/XM. I loved exchanging ideas with my peers and feel that being part of this chamber group improved my communication skills.
'Selfie' with our chamber coach Truman Harris, NSO Assistant Principal Bassoonist.
The Schubert Octet, in the studio at Sirius XM (left) and striking a pose outside the Kennedy Center (right).
Schubert Octet on the Millennium Stage. Watch the performance here.
Weekly private lessons with NSO second violinist, Mr. Peter Haase, were especially helpful in guiding my thoughts about upcoming career decisions. For the past two summers Mr. Haase has not only taught me violin, but acted as a mentor in asking me questions that helped me form future goals. I really enjoyed working on Bruch's Scottish Fantasy with Mr. Haase because that is his favorite piece and he shared many valuable insights. It was so encouraging to learn from Mr. Haase because of his belief that training enables talent. He repeatedly stated, "It isn't that you can't do it, rather that you haven't properly taken the challenge apart and figured it out." Mr. Haase's professional expertise and the genuine interest he took in supporting me will be a continued encouragement in my daily practice.
Naomi in a private lesson with NSO second violinist, Peter Haase.
Living in the heart of D.C. and being exposed to the cultural and historical significance of our nation's capital is a valuable and unique aspect of SMI. Celebrating July 4th on Capitol Hill, spending a morning at the Smithsonian Museum of Natural History and trying a free yoga class in Georgetown are several of the new experiences that I really enjoyed. Student musicians spend long hours in small practice rooms meticulously shaping tiny details. The opportunity to step back and view the important role of our national performing arts center is refreshing and encourages us to continue our studies with new ideas and fresh motivation.
SMI musicians are so thankful for the generous sponsorship of the National Trustees, artistic support of the National Symphony and continued dedication of the NSO Education office. I am grateful to be an SMI participant because these rich and impactful summer experiences are life-changing. In addition to the rehearsals and classes, I especially value the special friendships formed with other students from across the U.S. Building relationships and sharing ideas with talented and hard-working peers is motivational. SMI experiences will continue to inspire me to learn and to share my love of music with others.
- 10 ||